Geschichte in Zeiten der Hyperzirkulation

Roundtable
Posters by Rita Vitorelli & Mirko Borsche
from left to right: Marco Roso, Lauren Boyle, Kolja Reichert, Hito Steyerl, Susanne von Falkenhausen
Artwork by Liam Gillick for Spike

Ein Roundtable-Gespräch zwischen DIS, Hito Steyerl, Susanne von Falkenhausen und Kolja Reichert bei Spike Berlin im Dezember 2014.

Woher rührt der Eindruck des Ahistorischen in vielen jüngeren Arbeiten? Welche Bedeutung hat (Kunst-)Geschichte heute noch für Post-Internet-Künstler und die sogenannte New Aesthetic? Verändert sich der historische Orientierungssinn in Zeiten der Hyperzirkulation? Benötigen wir einen neuen Produktivismus?

Das Gespräch zum Nachlesen hier.

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Diskussion
Roundtable
DIS
Berlin
Hito Steyerl
Kolja Reichert

Views
Dinis Santos / CM Porto

Photo: Dinis Santos / CM Porto

Maria Trabulo at Galeria Municipal do Porto

Kristian Vistrup Madsen reviews “Desertado. Algo que aconteceu pode acontecer novamente” (Deserted. Something that happened may happen again) and braves the desert landscape of fiction and memory, finding it remarkably fertile 

People
Edouard Manet, Bouquet de Violettes,  1872 as seen on the cover of Baudelaire’s Les Fleurs du Mal  

Edouard Manet, Bouquet de Violettes, 1872 as seen on the cover of Baudelaire’s Les Fleurs du Mal, 1857

Out of State

A Summer Chronicle, part 6: Poetry may be dead, but the confession reigns. NATASHA STAGG on the power of erratic tell-alls.

Views
#60
Adam Linder, She Clockwork , 2019 Performance, costume objects, and wallpaper

Adam Linder, She Clockwork, 2019 Performance, costume objects, and wallpaper

“Time, Forward!” at V-A-C Zattere

Discourse
Hanuman Revealing Rama and Sita in his Heart, 

Hanuman Revealing Rama and Sita in his Heart, unknown artist, ca. 1865, Victoria and Albert Museum

The Downward Spiral: The Chimera Manifesto

This month, Dean discusses the embryonic monkey-human chimeras created by geneticists in California. It’s time to think again of what else we could be.

People
Film still, Roman Polanski's Knife in the Water (1962)

Film still, Roman Polanski's Knife in the Water (1962)

Out of State

A Summer Chronicle, part 5: NATASHA STAGG discusses her love of decadent psychological thrillers while she goes sailing in Mallorca

People
Sharon Tate as Jennifer North in the film version of  Valley of the Dolls  (1967). Photograph: www.ronaldgrantarchive.com

Sharon Tate as Jennifer North in the film version of Valley of the Dolls (1967). Photograph: www.ronaldgrantarchive.com

 

Out of State

A Summer Chronicle, part 4: NATASHA STAGG watches Once Upon a Time in Hollywood and reflects on the culture that engendered Sharon Tate and Marilyn Monroe's tragic stardom.

Discourse
Rembrandt van Rijn’s 1631 Minerva at the Gemaldegalerie

Rembrandt van Rijn, Minerva, 1631, 60.5 x 49 cm, Gemäldegalerie, Staatliche Museen zu Berlin

Now Zero: Light on Water

This month, Ella Plevin drifts largely unnoticed through Baku, Paris, and Berlin.

People
All images courtesy of Celine 

Hedi Slimane, image Courtesy of Celine 

Pure Aesthetic Fiction? Hedi Slimane’s Celine Art Project

Director Hedi Slimane’s new Celine Art Project enlists contemporary artists to design work for stores around the world. Charles Teyssou discusses Slimane’s artistic imaginary through Americana cultural landscapes, and poses ten questions to two of Slimane’s collaborators, David Kramer and Shawn Kuruneru. 

People
Sill from  The Adventures of Baron Munchausen  (1988)

Sill from The Adventures of Baron Munchausen (1988)

Out of State

A Summer Chronicle, part 3: NATASHA STAGG talks about how vanity has changed and reflects on what her favourite movies have in common

Views
#60
Pauline Boudry / Renate Lorenz, T o Valerie Solanas and Marilyn Monroe in Recognition of their Desperation , 2013

Pauline Boudry / Renate Lorenz, To Valerie Solanas and Marilyn Monroe in Recognition of their Desperation, 2013

Pauline Boudry / Renate Lorenz at Julia Stoschek Collection Berlin

People
Still from Buffalo 66 (1998)

Still from Buffalo 66 (1998)

Out of State

A Summer Chronicle, part 2: NATASHA STAGG is in love, only wants to buy designer underwear and tells us why she enjoys going to strip clubs

"My works are the most sincere and tragic things I have done in life"

"If I tell you I have to kill you with my laser vision"