Geschichte in Zeiten der Hyperzirkulation

Roundtable
Posters by Rita Vitorelli & Mirko Borsche
from left to right: Marco Roso, Lauren Boyle, Kolja Reichert, Hito Steyerl, Susanne von Falkenhausen
Artwork by Liam Gillick for Spike

Ein Roundtable-Gespräch zwischen DIS, Hito Steyerl, Susanne von Falkenhausen und Kolja Reichert bei Spike Berlin im Dezember 2014.

Woher rührt der Eindruck des Ahistorischen in vielen jüngeren Arbeiten? Welche Bedeutung hat (Kunst-)Geschichte heute noch für Post-Internet-Künstler und die sogenannte New Aesthetic? Verändert sich der historische Orientierungssinn in Zeiten der Hyperzirkulation? Benötigen wir einen neuen Produktivismus?

Das Gespräch zum Nachlesen hier.

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Diskussion
Roundtable
DIS
Berlin
Hito Steyerl
Kolja Reichert

Discourse
Michael Andrews,  Good and Bad at Games , 1964-8

Michael Andrews, Good and Bad at Games, 1964-8

Now Zero: Multitrack

This month Outworld™ becomes a daily, weekly, and monthly annual subscription to social in cites, tactile inbox, virtual companion ships, micro e-gestion, aisle vista, UFOs, serenityNowplus, tax in Saint Ives, chronovoyagé and more in C major. Download Grammarly now to VOTE LABOUR 

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#61
Senga Nengudi, Ceremony for Freeway Fets , 1978 11 C-Prints. Photos: Roderick ‚Quaku‘ Young. Performance in Los Angeles. With: Senga Nengudi, David Hammons, Maren Hassinger, RoHo, Franklin Parker, Joe Ray Courtesy the artist and galleries Thomas Erben and Sprüth Magers

Senga Nengudi, Ceremony for Freeway Fets, 1978, 11 C-Prints (detail)
Original photo: Roderick 'Quaku' Young
Lenbachhaus Munich, KiCo Collection
© Senga Nengudi 2019

Courtesy the artist and galleries Thomas Erben and Sprüth Magers

 

Senga Nengudi at Lenbachhaus

People
Dan Bodan Photo: Julia Burlingham

Dan Bodan
Photo: Natascha Goldenberg

 

Interview: Dan Bodan Against the Machine

Bianca Heuser talks with Dan Bodan about his work for Google and the premiere performance of “A Flow of Serosities”, an algorithmic composition made in collaboration with programmer and sound artist Scott Carver

Spike Events
Saâdane Afif,  Souvenir: La Leçon de Géométrie,  2014 Daily performance by Dahmad Boutfounast, Jemaa el-Fnaa square, Marrakesh, Morocco for “Where Are We Now?”, Marrakech Biennale 5, 26 February – 31 May 2014

Saâdane Afif, Souvenir: La Leçon de Géométrie, 2014
Daily performance by Dahmad Boutfounast, Jemaa el-Fnaa square, Marrakech Biennale 5

SAÂDANE AFIF AND CLARA MEISTER: YASMINE D’OUEZZAN & THE SEVEN FACES OF THE HEPTAHEDRON: AN ODYSSEY?

At Spike Berlin / 20 November 2019

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Installation view first floor, Kunsthaus Bregenz, 2019
Photo: Markus Tretter, Courtesy of the artist, © Raphaela Vogel, Kunsthaus Bregenz

Installation view first floor, Kunsthaus Bregenz, 2019
Photo: Markus Tretter, Courtesy of the artist, © Raphaela Vogel, Kunsthaus Bregenz

Raphaela Vogel, "Tränenmeer", 2019
Video: 19:21 min.

Raphaela Vogel at Kunsthaus Bregenz

Discourse
  Josephine Pryde 's Sorry Not Sorry, 2016 “Courtesy of the artist and Simon Lee Gallery” 

Josephine Pryde, Sorry Not Sorry, 2016
Photo: Stefan Korte, Courtesy of the artist and Simon Lee Gallery 

THE DOWNWARD SPIRAL: THE REAL WORLD

DEAN KISSICK reads Natasha Stagg’s new essay collection Sleeveless and Fiona Duncan’s debut novel Exquisite Mariposa and begins to understand the 2010s.

Spike Events
Still from Josh Kline's Flattery Bath 2 (2012) HD Video, Courtesy the artist and 47 Canal, New York

Still from Josh Kline’s Flattery Bath 2 (2012)
HD Video, Courtesy the artist and 47 Canal, New York

THE 2010s: A ROUNDTABLE DISCUSSION WITH John Hill, Amadeo Kraupa-Tuskany, and Susanne Pfeffer

At Spike Berlin / November 12, 2019

 
Discourse

Now Zero: In Through The Out Door

This month Ella (or something like her) has dinner with Andre and puts on a happy face

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All images courtesy of The Artist and von ammon co, Washington D.C.

Helmut Lang at von ammon co, Washington D.C.

Spike Events
Installation view

Installation view

Beier – Denny – Lu

An exhibition at Spike Berlin, 26 April – 17 May 2019

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Komunuma, site, Summer 2019 © Axelle Poisson; Courtesy Fondation FIMINCO

Komunuma, site, Summer 2019
© Axelle Poisson; Courtesy Fondation FIMINCO

Komunuma: the model for Grand Paris?

Ingrid Luquet-Gad finds coexistence and dissonance when she visits Komunuma, the new Parisian art district

"The 80s was the last period when low self-esteem was a normative response to authority"

Essay: The Last Great Era of Low Self-Esteem