Q/A Yewande Omotoso

Warum #MeToo?

von Yewande Omotoso

"Viel zu lange schon wird das Problem der Vergewaltigung „gelöst“, indem man Frauen und Mädchen auffordert, nachts zu Hause zu bleiben, sich „anständig“ anzuziehen und sich von Alkohol fernzuhalten. #MeToo zeigt die Unsinnigkeit davon und setzt dort an, wo solche Taten überhaupt erst möglich sind...." (Yewande Omotoso)

– Dieser Text ist in Spike Art Quarterly #56 erschienen, erhältlich in unserem Online Shop –

ARTIST EDITION BY JON RAFMAN "YOU ARE STANDING IN AN OPEN FIELD (MOUNT ADAMS, WASHINGTON) SPIKE EDITION", 2019

Discourse

Maurizio Cattelan, Comedian, 2019

The Downward Spiral: The Downward Banana

This month Dean Kissick watches Maurizio Cattelan’s banana spiralling out of control.

Discourse

Michael Andrews,  Good and Bad at Games , 1964-8

Michael Andrews, Good and Bad at Games, 1964-8

Now Zero: Multitrack

This month Outworld™ becomes a daily, weekly, and monthly annual subscription to social in cites, tactile inbox, virtual companion ships, micro e-gestion, aisle vista, UFOs, serenityNowplus, tax in Saint Ives, chronovoyagé and more in C major. Download Grammarly now to VOTE LABOUR

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#61

Senga Nengudi, Ceremony for Freeway Fets , 1978 11 C-Prints. Photos: Roderick &sbquo;Quaku‘ Young. Performance in Los Angeles. With: Senga Nengudi, David Hammons, Maren Hassinger, RoHo, Franklin Parker, Joe Ray Courtesy the artist and galleries Thomas Erben and Sprüth Magers

Senga Nengudi, Ceremony for Freeway Fets, 1978, 11 C-Prints (detail)
Original photo: Roderick 'Quaku' Young
Lenbachhaus Munich, KiCo Collection
© Senga Nengudi 2019

Courtesy the artist and galleries Thomas Erben and Sprüth Magers

Senga Nengudi at Lenbachhaus

People

Dan Bodan
Photo: Natascha Goldenberg

Interview: Dan Bodan Against the Machine

Bianca Heuser talks with Dan Bodan about his work for Google and the premiere performance of “A Flow of Serosities”, an algorithmic composition made in collaboration with programmer and sound artist Scott Carver

Spike Events

Saâdane Afif,  Souvenir: La Leçon de Géométrie,  2014 Daily performance by Dahmad Boutfounast, Jemaa el-Fnaa square, Marrakesh, Morocco for “Where Are We Now?”, Marrakech Biennale 5, 26 February – 31 May 2014

Saâdane Afif, Souvenir: La Leçon de Géométrie, 2014
Daily performance by Dahmad Boutfounast, Jemaa el-Fnaa square, Marrakech Biennale 5

SAÂDANE AFIF AND CLARA MEISTER: YASMINE D’OUEZZAN & THE SEVEN FACES OF THE HEPTAHEDRON: AN ODYSSEY?

At Spike Berlin / 20 November 2019

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Installation view first floor, Kunsthaus Bregenz, 2019
Photo: Markus Tretter, Courtesy of the artist, © Raphaela Vogel, Kunsthaus Bregenz

Raphaela Vogel, "Tränenmeer", 2019
Video: 19:21 min.

Raphaela Vogel at Kunsthaus Bregenz

Discourse

Josephine Pryde 's Sorry Not Sorry, 2016 “Courtesy of the artist and Simon Lee Gallery”

Josephine Pryde, Sorry Not Sorry, 2016
Photo: Stefan Korte, Courtesy of the artist and Simon Lee Gallery

THE DOWNWARD SPIRAL: THE REAL WORLD

DEAN KISSICK reads Natasha Stagg’s new essay collection Sleeveless and Fiona Duncan’s debut novel Exquisite Mariposa and begins to understand the 2010s.