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Décor and theatricality have returned with a vengeance after more than a century of being shunned as art’s lowbrow cousins. Marcel Broodthaers and Palle Nielsen were among the first artists to register the implications of this shift, anticipating the rise of immersion, affective networking, storytelling, surveillance, and monetisation that came along with it. By Antony Hudek
Das Moderna Museet in Stockholm verwandelte sich mit »The Model« 1968 in einen Kinderspielplatz – ein Modell für eine qualitative Gesellschaft. Von Antony Hudek
