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Billie Muraben

#56 Summer 2018
The culture wars are raging. Neoliberalism and right-wing populism have co-opted the critique of the 1960s and turned it against art, science and the democratic public sphere, while the left is consumed by infighting. This issue is about the return to battle, strategies of (dis-)engagement, and the question of what art is capable of in...

#56 Summer 2018

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#56

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Joan Jonas at Tate Modern and Osías Yanov at Gasworks by Oliver Basciano and Julian Schnabel at Pace Gallery by Billie Muraben 

#55 Spring 2018
Brands such as Y/Project, Telfar and Vetements have found new ways to pick up where the designers of the 90s left off. Aided by strategies borrowed from art, they are transforming the fashion system from within and widening its boundaries beyond recognition. Fashion is succeeding precisely where art is not, wresting autonomy out of...

#55 Spring 2018

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#55

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"Counter Investigations: Forensic Architecture" at ICA and Laurie Simmons at Amanda Wilkinson Gallery by Billie Muraben, Sondra Perry at Serpentine Sackler Gallery by Lorena Muñoz-Alonso

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#61 Autumn 2019
The desire to get away from it all pervades every aspect of our lives. Artists are leaving art capitals and even fleeing the art world entirely, just to find themselves right back where they started. We’re being grabbed by the claws of the art market and crashing into the limits of artistic autonomy. We need a way out. Outside of the...

#61 Autumn 2019

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