Jean-Max Colard | Spike Art Magazine

#54 Winter 2018

We are in an interregnum, an in-between state where the old world is dying and the new struggles to be born. Colonies of bacteria are decomposing the white cube, automation will replace work, and a hope persists that digital space will produce a truly different art. The avant-garde is still alive, but as a stateless multitude that...

#54 Winter 2018

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Camille Henrot at Palais de Tokyo by Jean-Max Colard