Praxes

Tarek Atoui / Sonic Therapy Sessions
Deep Listening with Pauline Oliveros and Ione
Documentation shot, Bergen Assembly 2016
Sentralbadet, Bergen

Photo: Thor Brødreskift

Tarek Atoui
Sound Massage Workshop with Thierry Madiot at Grieg Academy, University of Bergen

Photo: Thor Brødreskift

Lynda Benglis
Primary Structures (Paula’s Props), 1975
Installation view (KODE 4), Bergen Assembly 2016

Photo: Thor Brødreskift. Courtesy Cheim & Read, New York

 The Dadaists audience: themselves,  Berlin 1920 Opening with Hannah Höch, Otto Schmalhausen, Raoul Hausmann, John Heartfield mit Kind, Otto Burchard, Margarete und Wieland Herzfelde, Rudolf Schlichter, Ludwig Mies van der Rohe (?), Unbekannt und Johannes Baader

The Dadaists audience: themselves, Berlin 1920

Opening with Hannah Höch, Otto Schmalhausen, Raoul Hausmann, John Heartfield mit Kind, Otto Burchard, Margarete und Wieland Herzfelde, Rudolf Schlichter, Ludwig Mies van der Rohe (?), Unbekannt und Johannes Baader

The field of art is considered to be free, open and accessible to everyone. In reality, no outsiders have been spotted here for a long time. Does “art audience” today really only mean people who have an (economic) interest in the art world? Is anyone immune to the half-drunk advances of its warped social economy? Are we all alone? With these questions in mind, our reporter Elvia Wilk went from Berlin to Venice to the hotspots of this summer's art viewing and asked people.