EXHIBITION HISTORIES

“Persistent Deviation/ Corruptionists” (1998) at 10 North 3rd Ring Road, Bldg #3, Basement Floor Beijing

by Fei Lai

Back and front cover of the catalogue with the exhibition plan drawn by Wang Xingwei Courtesy 1:1

Fei Lai on “Persistent Deviation/ Corruptionists” (1998) at 10 North 3rd Ring Road, Bldg #3, Basement Floor Beijing

““Persistent Deviation/Corruptionists” only existed for a few hours on 7 November 1998 in the basement of a residential building in a quiet, nondescript neighbourhood in northern Beijing. Despite its ephemerality, it is remembered as one of the most dynamic moments of the city’s experimental art scene in the 1990s.”

– This text appears in Spike #61. You can buy it in our online shop –

Fei Lai

Xu Yihui

Xu Ruotao

Discourse

Maurizio Cattelan, Comedian, 2019

The Downward Spiral: The Downward Banana

This month Dean Kissick watches Maurizio Cattelan’s banana spiralling out of control.

Discourse

Michael Andrews,  Good and Bad at Games , 1964-8

Michael Andrews, Good and Bad at Games, 1964-8

Now Zero: Multitrack

This month Outworld™ becomes a daily, weekly, and monthly annual subscription to social in cites, tactile inbox, virtual companion ships, micro e-gestion, aisle vista, UFOs, serenityNowplus, tax in Saint Ives, chronovoyagé and more in C major. Download Grammarly now to VOTE LABOUR

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#61

Senga Nengudi, Ceremony for Freeway Fets , 1978 11 C-Prints. Photos: Roderick &sbquo;Quaku‘ Young. Performance in Los Angeles. With: Senga Nengudi, David Hammons, Maren Hassinger, RoHo, Franklin Parker, Joe Ray Courtesy the artist and galleries Thomas Erben and Sprüth Magers

Senga Nengudi, Ceremony for Freeway Fets, 1978, 11 C-Prints (detail)
Original photo: Roderick 'Quaku' Young
Lenbachhaus Munich, KiCo Collection
© Senga Nengudi 2019

Courtesy the artist and galleries Thomas Erben and Sprüth Magers

Senga Nengudi at Lenbachhaus

People

Dan Bodan
Photo: Natascha Goldenberg

Interview: Dan Bodan Against the Machine

Bianca Heuser talks with Dan Bodan about his work for Google and the premiere performance of “A Flow of Serosities”, an algorithmic composition made in collaboration with programmer and sound artist Scott Carver

Spike Events

Saâdane Afif,  Souvenir: La Leçon de Géométrie,  2014 Daily performance by Dahmad Boutfounast, Jemaa el-Fnaa square, Marrakesh, Morocco for “Where Are We Now?”, Marrakech Biennale 5, 26 February – 31 May 2014

Saâdane Afif, Souvenir: La Leçon de Géométrie, 2014
Daily performance by Dahmad Boutfounast, Jemaa el-Fnaa square, Marrakech Biennale 5

SAÂDANE AFIF AND CLARA MEISTER: YASMINE D’OUEZZAN & THE SEVEN FACES OF THE HEPTAHEDRON: AN ODYSSEY?

At Spike Berlin / 20 November 2019

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Installation view first floor, Kunsthaus Bregenz, 2019
Photo: Markus Tretter, Courtesy of the artist, © Raphaela Vogel, Kunsthaus Bregenz

Raphaela Vogel, "Tränenmeer", 2019
Video: 19:21 min.

Raphaela Vogel at Kunsthaus Bregenz

Discourse

Josephine Pryde 's Sorry Not Sorry, 2016 “Courtesy of the artist and Simon Lee Gallery”

Josephine Pryde, Sorry Not Sorry, 2016
Photo: Stefan Korte, Courtesy of the artist and Simon Lee Gallery

THE DOWNWARD SPIRAL: THE REAL WORLD

DEAN KISSICK reads Natasha Stagg’s new essay collection Sleeveless and Fiona Duncan’s debut novel Exquisite Mariposa and begins to understand the 2010s.

Spike Events

Still from Josh Kline's Flattery Bath 2 (2012) HD Video, Courtesy the artist and 47 Canal, New York

Still from Josh Kline’s Flattery Bath 2 (2012)
HD Video, Courtesy the artist and 47 Canal, New York

THE 2010s: A ROUNDTABLE DISCUSSION WITH John Hill, Amadeo Kraupa-Tuskany, and Susanne Pfeffer

At Spike Berlin / November 12, 2019

Discourse

Now Zero: In Through The Out Door

This month Ella (or something like her) has dinner with Andre and puts on a happy face

Views

All images courtesy of The Artist and von ammon co, Washington D.C.

Helmut Lang at von ammon co, Washington D.C.

Spike Events

Installation view

Beier – Denny – Lu

An exhibition at Spike Berlin, 26 April – 17 May 2019

"Our identity could become an idol that we sculpt anew each morning from the digital clay"

The Downward Spiral: The Figure Cannot Hold

EXHIBITION HISTORIES

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