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#24 Summer 2010

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Bruce Hainley in conversation with American author Wayne Koestenbaum about the muteness of Harpo Marx. Michele d'Aurizio on the Villa Necchi Campiglio, one of the most unusual private houses in Milan. Philippe Pirotte on the Centre for Contemporary Art in Lagos. We visit Tbilisi in Georgia, a city that is currently creating new structures for art. With portraits of Anri Sala and Keren Cytter.

 

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#62 Winter 2020
In the roundtable in this issue, artist John Hill notes that if 2010 seemed like a time of abundance, 2019 feels like a time of scarcity. The 10s was a decade in which the bottom fell out of politics, and the art system lost its credibility. The wealthy got wealthier and disproved trickle-down economics. Communicating did not just mean...

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#57 Autumn 2018
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#57 Autumn 2018

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#66 Winter 2020/21
Here’s what we wanted: a deep, personal, painful appraisal of the art world as we know it. Some of us hate it, some love it, and many depend on its continued survival. When we posed this to our writers, they threw the kitchen sink at us: folklore, failure, fantasy, and wait for it ... God! It’s the Therapy Issue. And we’re still blaming...

#66 Winter 2020/21

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