“You Can't Tweet Adorno” by Alison M. Gingeras & Jamieson Webster

Florence Bonnefous and Pierre Joseph on “Les Ateliers du Paradise” (1990) at Air de Paris in Nice

Alternative models for art patronage are emerging amidst the crisis of neoliberalism. Founded in 1990, New Patrons helps to articulate and realise citizens’ wishes for a public work of art, capable of more than just managing supply and demand. By Dominikus Müller

Can we design our way out of platform capitalism?

With an oeuvre that covers everything from agitprop cans stuffed with cow-dung to ergo-dynamic lounge chairs, anyone in search of a new design manifesto would need to start with Victor Papanek, a guru for socially and ecologically responsible design and pedagogy. By Alison J. Clarke

As products and media started to blur into each other, in the wake of a cultural repositioning of the image through social media streams, fashion led the way in turning content into a new art form. By Thom Bettridge

The Austrian filmmaker talks to Asad Raza about a life in film and how the art of cooking isn’t hard to master.

The origins of the fashion industry’s most provocative and innovative strategies had a forerunner in BLESS, the enigmatic fashion studio founded between Paris and Berlin in the late 1990s. By David Lieske

Décor and theatricality have returned with a vengeance after more than a century of being shunned as art’s lowbrow cousins. Marcel Broodthaers and Palle Nielsen were among the first artists to register the implications of this shift, anticipating the rise of immersion, affective networking, storytelling, surveillance, and monetisation that came along with it. By Antony Hudek