Five-Star Review: Tom Burr
Tom Burr’s new solo exhibition at Galerie Neu disperses wooden surfaces hosting pinned 1980s black and white photographs by Charles Atlas layered with plastic sleeves and orange safety fabric. A new large sculpture of four matte black identical wooden cubicles, each suggesting a partially open room, arranges camp beds, DVDs and books chosen for their subject matter based on the artist’s concern with issues surrounding psychology and control, sexuality and politics.
“On a visceral level, I’m very intellectually and emotionally attracted to acknowledging how space functions in our lives, both in terms of pleasure and in terms of control, and in terms of all those factors that form a life. I’m also very anxious and maybe repulsed by how superficial that whole dialogue can become.” Tom Burr
Title: ★★★☆☆
Looks: ★★★★★
Curatorial concept: n/a
Press text: ★★☆☆☆
Printed matter: n/a
Installation: ★★★★★
Lightning: ★★☆☆☆
Color story: ★★★★★
Execution: ★★★★★
Relevance: ★★★☆☆
Boldness: ★★★☆☆
Discourse-friendliness: ★★★★☆
Viewer-friendliness: ★★★★☆
Market-friendliness: ★★☆☆☆
Pleasure factor: ★★★★☆
Surprisingness: ★★☆☆☆
Thought fodder: ★★★☆☆
Hopefulness: ★★★★★
The show gets 3.6 cubicles
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Tom Burr
“Compressions”
Galerie Neu, Berlin
10 September – 22 October, 2022