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Scent, memory, and language all imperfectly conjure the moments we keep coming back to. Adina Glickstein writes about Rimbaud, a new fragrance from Celine.
Is the 59th Venice Biennale the final chapter of an exhausted story? In his May column, Dean Kissick ponders how identity became the biggest elephant in the rooms of mega exhibitions, and how to abandon our screens for the real world and the real world for dreams.
Ingrid Luquet-Gad traces the spirit of politicised laughter in !Mediengruppe Bitnik’s ongoing series “Flagged for” for the May edition of Spike x Liste Expedition Monthly Picks.
The first installment of Spike’s new criticitism format Five-Star Review is a roundup of Gallery Weekend Berlin 2022. Here we judge Trisha Donnelly at Galerie Buchholz.
Spike inaugurates a new format, where galleries, curators, and art are judged by glyphs, through 18 categories that would be equally at home in gourmet guides, aesthetic treatises, or poetry.
The first installment of Spike’s new criticitism format Five-Star Review is a roundup of Gallery Weekend Berlin 2022. Here we judge Joan Joans at Heidi Gallery.
Tea Hacic-Vlahovic has written Spike’s society column, “Gesellschaft am Ende”, since the summer of 2021. It’s time it gets from the paper to the World Wide Web. We start from the start, Spike #68.
![!Mediengruppe Bitnik, "Flagged for Political Speech", 2021](https://spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/b47184d0-5efa-42aa-968d-76b4e3fa3e1c.jpeg?itok=7OhJmfAE "!Mediengruppe Bitnik, "Flagged for Political Speech", 2021")
