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A group exhibtition at mumok, Vienna invited artists to pair their work with objects from the museum collection, briefly reversing the flows of power at the heart of modernism.
Our second panel with Tezos on art and Web3 takes on digital collecting, participatory engagement, and on-chain marketplaces. Thursday, 23 March 2023, 6pm at despace berlin.
As the blender of post-modernity makes an ever-smoother paste of our selves and our projections, Daniel Moldoveanu asks if we are becoming front-row voyeurs of a death we could prevent.
Views of Sanja Iveković, “Works of Heart (1974–2022),” Kunsthalle Wien, Vienna, 2022. All images courtesy: the artist and Kunsthalle Wien. Photos: Boris Cvjetanović
Tea Hacic-Vlahovic takes in 50 years of Sanja Iveković’s irreverent polymathy at Kunsthalle Wien, from fake-masturbating above Tito’s motorcade to publishing her mother’s poems.
The third exhibition in a research series on Greco-Roman antiquities at Fondazione Prada, Milan, uncovers the tears, sutures, and grafts of capital-H History.
Mid-way through Monica Bonvicini’s exhibition “I do You” at the Neue Nationalgalerie in Berlin, we’re resurfacing an interview with the artist from the very first issue of Spike.
From right to left: Brittany Engel-Adams, Vincent McCloskey, Brittany Bailey, and David Thomson in Yvonne Rainer’s Hellzapoppin’: What About the Bees?, 2022. Courtesy: Performa and New York Live Arts. Photo: Maria Baranova
Premiered in Europe last month at Kunsthalle Baden-Baden, Yvonne Rainer’s final performance aspires to complicate her legacy on questions of exclusion.
