“Collaboration is one of my roots. And I see my role as an artist as being someone who’s orchestrating a social situation. That’s also why I like documentary as opposed to scripted narrative filmmaking, because there’s this kind of looseness where you don’t know what’s going to happen. Because people are not trained professional actors, I’m more like creating a situation for things to happen on camera…”

– This text appears in Spike #59 . You can buy it in our online shop

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