Portrait Lukas Duwenhögger

There's a hole in my heart
by Dominikus Müller

Lukas Duwenhögger makes paintings that play with the tangled connec­tions between the visible and invisible, desire and distance, transparency and opacity – all at the same time. Infused with a freewheeling nostalgia, his works convey the sense that there is always something else within what seems clear as day. 

– This text appears in Spike Art Quarterly #55. You can buy it in our online shop –

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Exterior of Museumhead. Courtesy of Museumhead

View of “Bony”, Museumhead, Seoul, 2021. Courtesy: Museumhead

Art Scene: Seoul

In the final installment of Art Scene: Seoul, Andrew Russeth gives an extensive report on the glorious offerings of the city's museums, exhibition halls, and “scrappy” artist-run spaces.

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Soo Choi on rooftop of König Gallery, Seoul

Soo Choi on rooftop of König Gallery, Seoul

Art Scene: Seoul

“Sometimes I get scared with all this competition.” The gallerist Soo Choi speaks about the growing art market of South Korea's capital.

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View of Ser Serpas, ”HEAS BANGER BOOGIE”, Galerie Barbara Weiss, Berlin, 2022. Courtesy: the artist and Schiefe Zähne, Berlin. Photo: Cedric Mussano

View of Ser Serpas, ”HEAS BANGER BOOGIE”, Galerie Barbara Weiss, Berlin, 2022. Courtesy: the artist and Galerie Barbara Weiss, Berlin

Five-Star Review: Ser Serpas

The solo show on view at Barbara Weiss is composed of items found discarded on the streets of Berlin

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Matthias Groebel, L1095 , 1995. Acrylic on canvas, 95 x 95 cm

Matthias Groebel, L1095, 1995. Acrylic on canvas, 95 x 95 cm

Five-Star Review: Matthias Groebel

The solo show of computer-robotic-assisted paintings by Cologne artist Matthias Groebel at Schiefe Zähne, Berlin 

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Leila Hekmat, Glory Ad Undulating Undies, 2021, Digital collage printed on silk/ viscose velvet, 405 x 132 cm

Leila Hekmat, Glory Ad Undulating Undies, 2021. Digital collage printed on silk/viscose velvet, 405 x 132 cm

Five-Star Review: “In the Company Of”

A group show at Eden Eden in Berlin, with Renate Bertlmann, Ellen Cantor, Vaginal Davis, Meret Oppenheim, Gina Pane, Carol Rama, among others. 

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Sanya Kantarovsky,  Spirits , 2022. Oil on canvas, 200.4 x 260.3 cm

Sanya Kantarovsky, Spirits, 2022. Oil on canvas, 200.4 x 260.3 cm

Five-Star Review: Sanya Kantarovsky

The solo show by Sanya Kantarovsky at Capitain Petzel, Berlin

Discourse
Shaung Li,  ÆTHER (Poor Objects) , 2021. Video, 18:28 min. Photo: Dean Kissick. Courtesy: La Biennale di Venezia

Shuang Li, ÆTHER (Poor Objects), 2021. Video, 18:28 min. Photo: Dean Kissick. Courtesy: La Biennale di Venezia

THE DOWNWARD SPIRAL: 59TH VENICE BIENNALE

Is the 59th Venice Biennale the final chapter of an exhausted story? In his May column, Dean Kissick ponders how identity became the biggest elephant in the rooms of mega exhibitions, and how to abandon our screens for the real world and the real world for dreams.

Discourse
!Mediengruppe Bitnik, "Flagged for Political Speech", 2021

!Mediengruppe Bitnik, ”Flagged for Political Speech”, 2021

Flagged for lulz

Ingrid Luquet-Gad traces the spirit of politicised laughter in !Mediengruppe Bitnik’s ongoing series “Flagged for” for the May edition of Spike x Liste Expedition Monthly Picks. 

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Exhibition view

Exhibition view, Galerie Buchholz, Berlin, 2022

Five-Star Review: Trisha Donnelly

The first installment of Spike’s new criticitism format Five-Star Review is a roundup of Gallery Weekend Berlin 2022. Here we judge Trisha Donnelly at Galerie Buchholz. 

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Five-Star Review

Spike inaugurates a new format, where galleries, curators, and art are judged by glyphs, through 18 categories that would be equally at home in gourmet guides, aesthetic treatises, or poetry. 

"Not even an early evening series on Austrian TV could have got away with that"

Exhibition Histories: "Please Love Austria!"