In a six-hour performance-installation at Funkhaus, Vienna, over-direction stymies the bleed between make-believe hospice and real-life aging and dying.

At Albertina Modern, Vienna, fantastical humanoid contraptions and very literal fitness sculptures hum with new, postindustrial purpose.

Productions by playwright Azade Shahmiri, choreographer Ula Sickle, and visual artist Markus Schinwald get all up in your business.

Has Conceptualism run out of runway? In Linz, a kind of homecoming retrospective finds a rare practitioner who still has fresh ideas.

Formed in Zagreb in 2000, What, How and for Whom have come into the limelight of European art by re-crystallizing the exhibition as a site of transformative politics.

What were the little highlights to make this life worth living – and what was bad enough to stand out in even the darkest times?

This art year had so much to offer that losing orientation wasn’t very difficult. So why not, we thought, organize it into what was best, and what was worst?

A controversy around a painting as a symptom of an art-world malady.