Internet meme courtesy of the author

 Internet meme courtesy of the author

When, if ever, is language natural? In her November column, Adina Glickstein contemplates writing unburdened by digital posterity and what freedom might lie beyond consent.

 Lydo performs at the Knockdown Center, Brooklyn, 2023

Lydo performs at Knockdown Center, Queens, March 2023

At how many BPM does the soul vibrate? The X-TRA.SERVICES founder’s first EP, self-released in collaboration with Tomás Urquieta, emblematizes techno without climax and the changing tempo of New York’s underground.

 Lise Soskolne, The First and The Last , 2023, oil on canvas, 168 x 198 cm

Lise Soskolne, The First and The Last, 2023, oil on canvas, 168 x 198 cm. All images courtesy: the artist and Galerie Last Friederich, Berlin

Can painting ever be made selflessly? At Galerie Lars Friederich, Berlin, WAGE co-founder Lise Soskolne locates the turning of private artistry toward public good in a politics of legibility.

 Portrait of Peter Halley in front of Blue Cell with Triple Conduit 3 , Polaroid, 1986

Portrait of Peter Halley in front of Blue Cell with Triple Conduit 3, Polaroid, 1986

What does Malevich have to do with McDonald’s? Closing out a retrospective of his paintings at Mudam Luxembourg, Halley flashes back to the heritage of the square, his recognition of ideal forms as prisons, and taking a shortcut to satirizing surface.

 Cady Noland, Untitled , 2023 (detail), wood table, metal baskets, beer cans, coffee can, oil can, miscellaneous objects, and black vinyl, 91.5 x 162.5 x 199.5 cm. Photo: Kris Graves

Cady Noland, Untitled, 2023 (detail), wood table, metal baskets, beer cans, coffee can, oil can, miscellaneous objects, and black vinyl, 91.5 x 162.5 x 199.5 cm. All images: © Cady Noland. Courtesy: Gagosian. Photo: Kris Graves

Turning a corporate office into a crime scene, the new sculptures and Polaroid throwbacks of Cady Noland’s installation at Gagosian, New York zero in her inquest into star-spangled paranoia.

 Maison Margiela Haute Couture F/Winter 2017

Maison Margiela Haute Couture F/W 2017

Why do we dream of a fashion that suits everyone on every occasion? In her October column, Joanna Walsh muses over the concept of “classic” and the hard work of buckling social structures larger than your wardrobe.

 View of “A Shimmer Through the Quantum Foam,” Esther Schipper, Berlin, 2023

View of “A Shimmer Through the Quantum Foam,” Esther Schipper, Berlin, 2023. All images © Anicka Yi. Courtesy: the artist, Gladstone Gallery, and Esther Schipper, Berlin/Paris/Seoul. Photo: Andrea Rossetti

Fragrant with sea musk, Anicka Yi’s debut exhibition with Esther Schipper, Berlin grafts generative AI and Cambrian zooplankton into one fruit-ripe family tree, one globulous tendril at a time.

 Martin Parr. The Last Resort New Brighton, England , 1983–85. © Martin Parr/Magnum Photos. Courtesy: Rocket Gallery, London

Martin Parr, from the series “The Last Resort,”1983–85. © Martin Parr/Magnum Photos. Courtesy: Rocket Gallery, London

Photography documents people, who mimic in turn what they see in photos. In the medial vernacular of our digital era, are we more likely to find life in humans, or their mechanical images?

 Lulu Obermayer,  Agoraphobia , performance, Grazer Schloßberg, Graz, 2023. Photo: steirischer herbst / Johanna Lamprecht

Lulu Obermayer, Agoraphobia, performance, Grazer Schloßberg, Graz, 2023. Photo: steirischer herbst / Johanna Lamprecht

With slap-in-the-face monuments, dances with buildings, and a water-gunning boy’s choir, steirischer herbst ’23 unearths Graz’s anti-fascist micro-histories while troubling the distinctions of oppressor and oppressed.

 Florentina Holzinger, Étude For Church , 2023. Photo: Mayra Wallraff

Florentina Holzinger, Étude For Church, 2023. Photo: Mayra Wallraff

On Tuesday, 17 October at Soho House Berlin, Nikola Knežević will expound on multi-agent stage design through his many colaborations with choreographer Florentina Holzinger.