Early Access: Gallery Weekend Berlin shot by Alexander Coggin

Wolfgang Tillmans at Galerie Buchholz

Oscar Murillo at Galerie Isabella Bortolozzi

Nolan Simon at Lars Friedrich

Tomás Saraceno at Esther Schipper

Verena Pfisterer at Exile

Ed Fornieles at Arratia Beer

Michael Dreyer at Aanant & Zoo

Stephen G. Rhodes at Galerie Isabella Bortolozzi Eden Eden

Wolfgang Tillmans at Galerie Buchholz

Wolfgang Tillmans at Galerie Buchholz

Wolfgang Tillmans at Galerie Buchholz

Oscar Murillo at Galerie Isabella Bortolozzi

Oscar Murillo at Galerie Isabella Bortolozzi

Oscar Murillo at Galerie Isabella Bortolozzi

Nolan Simon at Lars Friedrich

Nolan Simon at Lars Friedrich

Nolan Simon at Lars Friedrich

Tomás Saraceno at Esther Schipper

Tomás Saraceno at Esther Schipper

Verena Pfisterer at Exile

Verena Pfisterer at Exile

Verena Pfisterer at Exile

Ed Fornieles at Arratia Beer

Ed Fornieles at Arratia Beer

Ed Fornieles at Arratia Beer

Michael Dreyer at Aanant & Zoo

Michael Dreyer at Aanant & Zoo

Stephen G. Rhodes at Galerie Isabella Bortolozzi Eden Eden

Stephen G. Rhodes at Galerie Isabella Bortolozzi Eden Eden

Stephen G. Rhodes at Galerie Isabella Bortolozzi Eden Eden

Alexander Coggin is an American artist, self-taught photographer and theatre-maker living and working in Berlin.

www.alexandercoggin.com

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Wolfgang Tillmans

Galerie Buchholz

Oscar Murillo

Still from Keiken, Morphogenic Angels, 2022–23, prototype role-playing game. Courtesy: the artists

Artist Talk: Keiken

On Friday 31 March at Soho House Berlin, Tanya Cruz speaks to Adina Glickstein about Keiken’s latest game, Morphogenic Angels, and the collective’s transmedial production of speculative worlds.

People

“Nicolas Moufarrege, National Studio Artist,” at “Nicolas Moufarrege's Room,” an unofficial exhibition installed in the artist’s studio, 1982. Courtesy: The Museum of Modern Art Archives, New York

“Nicolas Moufarrege, National Studio Artist,” at “Nicolas Moufarrege's Room,” an unofficial exhibition installed in the artist’s studio, 1982. Courtesy: The Museum of Modern Art Archives, New York

Film-Strip Slices of A Mutant Brain

In a brief and internationally mythologized career, Nicolas Moufarrege, subject of a compact retrospective at CCA Berlin, threaded together feminized house craft, spray-can Pop, and an urge to find the all within.

People

#09

Michel Würhle in his home in 2006. All photos: Andrea Stappert

Michel Würthle in his home in 2006. All photos: Andrea Stappert

Art Is An Excess: Michel Würthle

In memory of Michel Würthle (1943–2023), we’re resurfacing his Autumn 2006 conversation with Roberto Ohrt and Harald Fricke on unoccupied spaces and Würthle’s unquenchable desire to make books.

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#74

Nilbar Güreş, Mayzu , 2022. Courtesy: the artist and mumok, Vienna. Photo: Oliver Ottenschläger

Nilbar Güreş, Mayzu, 2022. Courtesy: the artist and mumok, Vienna. Photo: Oliver Ottenschläger

Remix as Revitalization

A group exhibtition at mumok, Vienna invited artists to pair their work with objects from the museum collection, briefly reversing the flows of power at the heart of modernism.

Spike Events

Spike x Tezos: Deepsalon #2

On Thursday 23 March at despace berlin, our second panel with Tezos on art and Web3 takes on digital collecting, participatory engagement, and on-chain marketplaces.

Discourse

Caravaggio, Narcissus ,1597–99, oil on canvas, 110 x 92 cm. Courtesy: Galleria Nazionale d’Arte Antica, Rome

Caravaggio, Narcissus,1597–99, oil on canvas, 110 x 92 cm. Courtesy: Galleria Nazionale d’Arte Antica, Rome

Tragedy and the Superflat

As the blender of post-modernity makes an ever-smoother paste of our selves and our projections, Daniel Moldoveanu asks if we are becoming front-row voyeurs of a death we could prevent.

Discourse

Avalon Lurks (left) and Dese Escobar (right) at the PIN-UP party, EDITION Hotel, Los Angeles

Avalon Lurks (left) and Dese Escobar (right) at the PIN-UP party, EDITION Hotel, Los Angeles

7pm in Los Angeles

LA VIP Courtney Malick dishes on airport-hangar art mazes, who’s actually a DJ, and the yearly rerun of showing face.

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#74

Views of Sanja Iveković, “Works of Heart (1974–2022),” Kunsthalle Wien, Vienna, 2022. All images courtesy: the artist and Kunsthalle Wien. Photos: Boris Cvjetanović

Zagreb Surrogate

Tea Hacic-Vlahovic takes in 50 years of Sanja Iveković’s irreverent polymathy at Kunsthalle Wien, from fake-masturbating above Tito’s motorcade to publishing her mother’s poems.

Discourse