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We all know that transparency is no longer a magic formula that automatically leads to greater emancipation. By contrast, in order to win back a piece of humanity and freedom, we will have to become our own censors. In various recent artworks Barbara Casavecchia finds the building blocks for a new culture of silence.
ROCHELLE FEINSTEIN Exhibition view of In Anticipation of Women’s History Month at Centre d’Art Contemporain Genève, 2016 Photo credit: Gunnar Meier Photography
ROCHELLE FEINSTEIN Exhibition view of In Anticipation of Women’s History Month at Centre d’Art Contemporain Genève, 2016 Photo credit: Gunnar Meier Photography
ROCHELLE FEINSTEIN Exhibition view of In Anticipation of Women’s History Month at Centre d’Art Contemporain Genève, 2016 Photo credit: Gunnar Meier Photography
It’s difficult to say what Tobias Madison actually does. The Swiss artist shuttles between refusal and participation, withdrawal and exposure, community spirit and calculated outsourcing. In doing so, he works his way along the edges of found formats: the work, the exhibition, as well as the figure of the “young” artist.
