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When, if ever, is language natural? In her November column, Adina Glickstein contemplates writing unburdened by digital posterity and what freedom might lie beyond consent.
Is it possible to have style undressed? And what do we lack if we lack clothes? In her July column, Joanna Walsh ponders the hard work of taking (almost) everything off.
As pre-orders roll in for her new memoir, Scammer, the disgraced influencer spills the beans to Adina Glickstein about grifting, gendered fame-seeking, and the it-girl as a startup.
We feel either too big or too small for our clothes. In her June column, Joanna Walsh considers the monstrous feminine, oversize fashion, and the hard work required to make us “fit.”
“Fashion is the future, clothes are what we already wear.” In her May column, Joanna Walsh ponders how fast fashion’s accelerationism plays with seasons, desire, and the virtual, projecting us into an elsewhere we’ll never venture into.
Two exhibitions in Paris – Nile Koetting at Parliament Gallery and the group show “Au delà” at Lafayette Anticipations – conjure data’s limitations in the face of the divine.
What is style? It’s not fashion, or clothing; it’s only ever personal, but never entirely personal. In the first installment of Spike’s NEW COLUMN, Joanna Walsh ponders why we yearn for ten-piece wardrobe plans or call for Derrida to get style.
Forget Y2K; the 2010s are already back again. But retromania leads us down into a labyrinth of data horror, writes Adina Glickstein in her February column.
Will we still set New Year’s resolutions when our consciousness lives on computers? Adina Glickstein rings in 2023 with transhumanists, goblins, and worms.
In her new column "User Error," Spike Editor-at-Large Adina Glickstein charts the volatility of love and the crypto market, and finds solace in nightcore and Avril Lavigne conspiracy theories.