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Two exhibitions in Paris – Nile Koetting at Parliament Gallery and the group show “Au delà” at Lafayette Anticipations – conjure data’s limitations in the face of the divine.
Translated into English decades after her death, the sci-fi stories of the avantgarde-writer Izumi Suzuki gently twist modern Japan into tales of unspeakable loneliness.
All images: Jo Broughton, “Empty Porn Sets,” 1995–2007, C-type prints mounted on aluminum and set in sub box frames, 20.5 x 25.5 cm. All images courtesy: the artist and Michael Mckenzie at Hammer Lab, London
As the blender of post-modernity makes an ever-smoother paste of our selves and our projections, Daniel Moldoveanu asks if we are becoming front-row voyeurs of a death we could prevent.
Minutes to midnight, Nolan Kelly wonders if hyperpop is a nostalgic rehash of too-recent hits, or a consolation for a culture exhausted by novelty-seeking?
Where Don’t Worry Darling styles itself as a critique of retro-patriarchy, Steven Phillips-Horst sees a vision of womanhood stuck in a cul-de-sac of moral escapism.
Invited to expertise at a speed-date swap meet for discourse in twenty-seven languages, Daniel Moldoveanu looks askance at the doomed pageantry of trying to get one’s point across.
