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While his latest debut at Cannes, Asteroid City (2023) unspools a predictable plot with a familiar cast, the film’s stylistic precision reminds Nolan Kelly not to take a one-of-kind auteur for granted.
Where Don’t Worry Darling styles itself as a critique of retro-patriarchy, Steven Phillips-Horst sees a vision of womanhood stuck in a cul-de-sac of moral escapism.
The perfectly crafted, deeply unsettling films of Omer Fast revolve around the traumatic experiences of refugees, soldiers returning home from war and drone pilots. In a constant interplay of immersion and alienation, they turn filmic illusion against itself.
The British artist, who is currently showing at Tate Modern’s Turbine Hall, is known for her series of film portraits of famous men, including Merce Cunningham, Mario Merz, Michael Hamburger and Giorgio Morandi. Andreas Reiter Raabe talks to her about painterly qualities, light, colour and affection.
