Film

Discourse
Stills from Olivia Wilde, Don’t Worry Darling , 2022. All images courtesy: Warner Bros. Pictures

Stills from Olivia Wilde, Don’t Worry Darling, 2022. All images courtesy: Warner Bros. Pictures

A Movie That Feels like a Movie

Where Don’t Worry Darling styles itself as a critique of retro-patriarchy, Steven Phillips-Horst sees a vision of womanhood stuck in a cul-de-sac of moral escapism.

Discourse
BeReal meme remixed by the clothing brand Praying, posted to Instagram @praying

BeReal meme remixed by the clothing brand Praying, posted to Instagram @praying

User Error: Unfiltered

Adina Glickstein clocks some parallels between social media’s latest compulsion and cinema’s angsty Danes.

People
Film still, Roman Polanski's Knife in the Water (1962)

Film still, Roman Polanski's Knife in the Water (1962)

Out of State

A Summer Chronicle, part 5: NATASHA STAGG discusses her love of decadent psychological thrillers while she goes sailing in Mallorca

Discourse
#46
5000 Feet is the Best, 2011 Digitalfilm / Digital film, 30 min.

5000 Feet is the Best, 2011 Digitalfilm / Digital film, 30 min.

Portrait Omer Fast

The perfectly crafted, deeply unsettling films of Omer Fast revolve around the traumatic experiences of refugees, soldiers returning home from war and drone pilots. In a constant interplay of immersion and alienation, they turn filmic illusion against itself.

Discourse
#29
Kodak, 2006  Alle Abbildungen: © Tacita Dean, Courtesy Marian Goodman Gallery, Paris/New York, Frith Street Gallery, London

Kodak, 2006 
All images: © Tacita Dean, Courtesy Marian Goodman Gallery, Paris/New York, Frith Street Gallery, London

Tacita Dean: Film as Painting

The British artist, who is currently showing at Tate Modern’s Turbine Hall, is known for her series of film portraits of famous men, including Merce Cunningham, Mario Merz, Michael Hamburger and Giorgio Morandi. Andreas Reiter Raabe talks to her about painterly qualities, light, colour and affection.