Hauser & Wirth

People
Matthew Day Jackson designed furniture

Matthew Day Jackson designed furniture

Interview with Matthew Day Jackson

Spike attended the finger food VIP breakfast at the NetJets Art Basel lounge to talk to the American artist about the moon and the dark side of humanity’s favourite planet.

Views
Carroll Dunham,  Clouds (1) , (2018) Mixed media on linen 126 x 151.5 x 5.5 cm © Carroll Dunham Courtesy the artist, Gladstone Gallery, New York and Brussels, and Galerie Eva Presenhuber, Zurich / New York Photo: David N. Regen

Carroll Dunham, Clouds (1), 2018
Mixed media on linen 126 x 151.5 x 5.5 cm
© Carroll Dunham Courtesy the artist, Gladstone Gallery, New York and Brussels, and Galerie Eva Presenhuber, Zurich / New York; Photo: David N. Regen

The Cock Crows

The second edition of Zurich Art Weekend provided some foreplay ahead of Art Basel. Alex Scrimgeour runs us through Zurich's standout shows, where he spotted painted angels, art games, vagina dentatas, and Don Quixote's horse. 

Views

Tetsumi Kudo, Graft '72 (Greffe '72) (detail) 1972,
Plastic, metal, soil, thermometer, resin, adhesive, paint, hair and rope
Photo: Jessica Eckert
© Estate of Tetsumi Kudo, ADAGP, Paris, ARS, New York and DACS, London 2015, Hiroko Kudo.
Courtesy Hauser & Wirth and Andrea Rosen Gallery

Installation view, "Tetsumi Kudo", Hauser & Wirth London, 2015
© Estate of Tetsumi Kudo, ADAGP, Paris, ARS, New York and DACS, London 2015, Hiroko Kudo
Courtesy Hauser & Wirth and Andrea Rosen Gallery
Photo: Alex Delfanne 

Tetsumi Kudo, Graft '72 (Greffe '72) (detail) 1972,
Plastic, metal, soil, thermometer, resin, adhesive, paint, hair and rope
Photo: Jessica Eckert
© Estate of Tetsumi Kudo, ADAGP, Paris, ARS, New York and DACS, London 2015, Hiroko Kudo
Courtesy Hauser & Wirth and Andrea Rosen Gallery

Tetsumi Kudo @ Hauser & Wirth

Discourse
#40
Gavin Brown (links) und Daniel Baumann (rechts)

Gavin Brown (links) und Daniel Baumann (rechts)

The Demise of the Future

The New York-based gallerist Gavin Brown and the Swiss curator Daniel Baumann take a shot at an unromantic view of the art market. It turns out depressing, entertaining, and instructive at once.