Ian Cheng

 View of “Ian Cheng: Life After BOB,” LAS (Light Art Space), Berlin. © 2022 Ian Cheng. Presented by LAS (Light Art Space). Photo: Andrea Rossetti

View of “Ian Cheng: Life After BOB,” LAS (Light Art Space), Berlin. © 2022 Ian Cheng. Presented by LAS (Light Art Space). Photo: Andrea Rossetti

Ian Cheng speaks about his latest film shown at LAS in Berlin and about what is left for human selves to do.

 Kate Cooper, Somatic Aliasing  (2021). Courtesy the artist

Kate Cooper, Somatic Aliasing (2021). Courtesy the artist

With nostalgia taking hold at The New Museum Triennial and MoMA PS1’s survey of Greater New York, Dean Kissick wonders: what’s so great about it? When art gets sucked back into tradition, where is the future to be found?

 Geoffrey Mak in front of "Avery Singer: Reality Ender" at Hauser & Wirth, New York.

Geoffrey Mak in front of “Avery Singer: Reality Ender” at Hauser & Wirth, New York

Former Berlin club scene it-boy and current Julien Ceccaldi expert Geoffrey Mak is new in New York. Will somebody please invite him to a party?

Dean Kissick reports from the world’s largest video game conference and trade show

 Thousand Islands Thousand Laws , 2013  Live simulation, sound, infinite duration Courtesy of the artist, Pilar Corrias Gallery, Standard (Oslo)

Thousand Islands Thousand Laws, 2013 
Live simulation, sound, infinite duration
Courtesy of the artist, Pilar Corrias Gallery, Standard (Oslo)

Figures fall chaotically, cranes take flight, half-rendered dogs roam around threadbare computer-game landscapes. No matter how long you watch Ian Cheng‘s video installations, the logic of what‘s happening remains out of reach. The artist himself doesn‘t know how his simulations are going to turn out. He merely sets the parameters: a virtual ecosystem and characters whose actions are partly scripted and partly determined by chance. These works seem to circle around themselves, which raises several questions. Gianni Jetzer met up with the New York-based artist for an interview.