This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies.
Shoveler Duck from Birds of America (1827) by John James Audubon, etched by William Home Lizars
For his first column of the new year, Dean Kissick finds solace and good omens in ornithology. The future looks not altogether unpromising.
Giuseppe Penone, It Will Continue to Grow Except at That Point, 1968–2003 Tree, bronze, 40 x 10 x 13 cm and 700 x 30 x 30 cm
Giuseppe Penone, It Will Continue to Grow Except at That Point, 1968–2003
Tree, bronze, 40 x 10 x 13 cm and 700 x 30 x 30 cm
Carolyn Christov-Bakargiev on Piero della Francesca’s Polyptych of Saint Anthony (c. 1470)
Huang Yong Ping, Serpent d’Océan, 2012, Aluminium, inox, 120 m Photo: archives kamel mennour © ADAGP Huang Yong Ping. Courtesy the artist, Le Voyage à Nantes, and kamel mennour, Paris/London
Huang Yong Ping, Serpent d’Océan, 2012, Aluminium, inox, 120 m
Photo: archives kamel mennour © ADAGP Huang Yong Ping. Courtesy the artist, Le Voyage à Nantes, and kamel mennour, Paris/London
By Daniel Baumann, Folakunle Oshun, Alisa Prudnikova, Ella Plevin, Joanna Kamm, Hou Hanru, Jay Sanders, Rita Vitorelli, Kolja Reichert, Diana Campbell Betancourt
David O'Reilly Eye of the Dream (2018)
DEAN KISSICK visits the sixth Guangzhou Triennial, “As We May Think: Feedforward”, curated by Angelique Spaninks, Zhang Ga and Philipp Ziegler.
In this month's column, Dean Kissick shares his diary of the preview days of documenta 14 in Kassel and Skulptur Projekte Münster
Lara Favaretto Momentary Monument (2017) Photo: Henning Rogge
Curator Valentinas Klimasauskas picks out five exemplary projects from this year's Skulptur Projekte Münster
