Swiss Institute

 Tobias Spichtig, "Good OK Great Fantastic Perfect Grand Thank You". Installation view from Swiss Institute, New York. Courtesy of the artist.

Tobias Spichtig, "Good OK Great Fantastic Perfect Grand Thank You". Installation view from Swiss Institute, New York. Courtesy of the artist.

On the occasion of his first US solo show, Tobias Spichtig speaks with Jordan Richman about karaoke, mysticism, and fashionable ghosts.

DEAN KISSICK writes from New York and the heart of the global pandemic. Nothing Dean or any of his friends say is medical advice.

Jutta Koether at Artists Space

With the dawn of a new decade comes the possibility that all could start over, be good again. DEAN KISSICK takes us on a journey in search of exhiliration in art, theatre, and elsewhere. Follow his trek from Mexico to New York, out of the glum and into glam and glee.

What did you get for Valentine’s Day? Some New Yorkers were treated to a unique blend of sexual energy and frustration in Irena Haiduk’s “Cabaret Économique”, performed at the Swiss Institute, New York.    

 Photo: Tseng Kwong Chi

As New York's East Village is becoming host to a score of elite art organisations, the question of whether the local creativity they endorse is still alive and well comes to the fore. By Ariella Wolens