The series "Point No Point" (2020) comprises of five paintings. Three are landscapes, which hang unstretched and loosely depict a slice of rural coastline with what is discernible as a lighthouse on one side. The other two are hung, stretched, in portrait format, their forms echoing the structure and proportions of the coastline but flipped on its axis and left as a gravity-defying lattices of dripping pigment. Slipping between modes, Anne Fellner’s genre-fluid paintings draw us into an uncertain place between the act and the actual, where process, paint and perception all seem to play the role of protagonist.