Calla Henkel and Max Pitegoff, North of Alex, 2014, framed archival print, 52 x 48 cm. Courtesy: the artists and Galerie Isabella Bortolozzi, Berlin

Post-Cool Berlin

Rent hike by rent hike, people are drifting to the city’s fringes, taking its “poor but sexy” promise with them. Five denizens reality-check Berlin’s latest in-between moment.

Calla Henkel, Why did you leave Berlin?

I never left Berlin. Ask my tax advisor, who is also my ex. I never left Berlin, and never will. I am just one of those artists with one of those annoying bios that reads: based between. But, in all honesty, I’m in Hollywood because I wanted to go to film school without going to school, and I needed a break from Bertolt Brecht and Frank Castorf and Marx. So, it’s all gas stations, ATMs, and Lana Del Rey for me right now. When I first got here, I often said that, after being in Berlin for so long, the pace of living in Los Angeles felt like snorting white powder off the hood of a Lamborghini on the highway; unsafe, yes, also very fast, and absolutely toxic. I loved it, and still do, but I am haunted by the sound of recycling clunking into those green- and brown-domed bins. I am haunted by the snap of bike paths and the unhappy face of my gynecologist. What I am trying to say is: I miss healthcare, biking, and responsible trash collection.

The main reason I left, though, was because ...


This text appears in full in Spike #81/82 – The Post-Cool. Get fit for the burbs with a hard copy (or an e-paper!) from our online shop


loading.....