Pentti Monkkonen & Fabian Marti, “Maison de Poupée” at Acrush
View of Pentti Monkkonen & Fabian Marti, “Maison de Poupée,” Acrush, Zurich, 2024
Karla Black at bechtler:stiftung
Karla Black, The Academy (earlier), 2024, plaster powder, powder paint, cartridge paper, watercolor inks, ribbon, toilet paper, bath-bombs, nail polish, blusher pearls. Courtesy: the artist, Galerie Gisela Capitain, Cologne, and Modern Art, London. Photos: Flavio Karrer
Lee Scratch Perry at Cabaret Voltaire
Views of “Lee Scratch Perry,” Cabaret Voltaire, Zurich, 2024. Courtesy: The Visual Estate of Lee Scratch Perry. Photos: Cedric Mussano
Tobias Pils, “Happy Days” at Galerie Eva Presenhuber
View of Tobias Pils, “Happy Days,” Galerie Eva Presenhuber, Zurich, Maag Areal, 2024. © Tobias Pils. Courtesy: the artist and Galerie Eva Presenhuber, Zurich / Vienna. Photo: Stefan Altenburger Photography, Zürich
Philip Guston, “Singularities” at Hauser & Wirth Zurich, Limmatstrasse
Philip Guston, Painter’s Forms, 1972, oil on panel, 121.5 x 152.2 x 2.3 cm. © The Estate of Philip Guston. Courtesy: the Estate of Philip Guston and Hauser & Wirth. Photo: Christopher Burke
View of “Philip Guston. Singularities,” Hauser & Wirth Zurich, Limmatstrasse. © The Estate of Philip Guston. Courtesy: the Estate of Philip Guston and Hauser & Wirth. Photo: Jon Etter
View of Hans Josephsohn, “Solo show,” Karma International, Zurich, 2024. Courtesy: Kesselhaus Josephsohn, ST. Gallen and Karma International, Zurich. Photo: Annik Wetter
View of Leyla Faye, “Trema,” Karma International, Zurich, 2024. Courtesy: the artist and Karma International, Zurich. Photo: Annik Wetter
David Armstrong at Kunsthalle Zürich
View of David Armstrong, Kunsthalle Zürich, 2024. Courtesy: David Armstrong Archive & Kunsthalle Zürich. Photo: Cedric Mussano
David Armstrong, Cookie at Bleecker St., NYC, 1977. All courtesy: The Estate of David Armstrong
David Armstrong, Bruce, Cookie, Sharon, and Linda at Herring Cove, Provincetown, 1975
David Armstrong, Johnny, Provincetown, late 1970s
“Born Digital. Video Art in the New Millennium” at Kunsthaus Zürich
Tatjana Marušić, A WOMAN UNDER THE INFLUENCE - to cut a long story short, 2003, three-channel video installation, sound, color, 9.48 min. Kunsthaus Zürich, 2004 © Tatjana Marušić
Stills from Yves Netzhammer & Bjørn Melhus, Die umgekehrte Rüstung (The Reversed Armory), 2002, one-channel video installation, sound, color, 23.41 min. Kunsthaus Zürich, 2003 © Yves Netzhammer
Pascale Birchler, “ICH WARTE AUF EIN GEWITTER” at Last Tango
Front: Pascale Birchler, Still Untitled, 2024, iron, modelling clay, glaze, pigments, textile, grass, wood, and glass, ca. 215 × 85 × 200 cm; back: Pascale Birchler, Still Untitled, 2024, wood, acrylic glass, textile, 260 × 250 × 40 cm. Courtesy: the artist and Last Tango, Zurich. Photo: Bon Wongwannawat
Hans Ulrich Obrist Archives, “Agnès Varda” at schwarzescafé, Luma Westbau
Views of “Hans-Ulrich Obrist Archives: Agnès Varda,” schwarzescafé, Luma Westbau, Zurich, 2024
“Material Manipulations” at Sammlung Migros Museum für Gegenwartskunst
Martín Soto Climént, The Swan Swoons in the Still of the Swirl (Stills 1,2,3,4,5,6), 2010, single-channel video projection, color, blinds. Sammlung Migros Museum für Gegenwartskunst. © Martín Soto Climént. Photo: Studio Stucky
View of Sonia Kacem, “Petra,” 2013, plastic sheeting, emulsion paint, nylon, thread, Xanti Schawinsky, transition, 1960, oil on canvas. Sammlung Migros Museum für Gegenwartskunst. © Sonia Kacem and The Estate of Xanti Schawinsky. Photo: Studio Stucky
“ProtoZone 15: Time is Pressure” at Shedhalle
Daniel Felstead, The Metaverse in Janky Capitalism, 2023. Courtesy: the artist. Photo: Laila Kaletta
Débora Delmar, Caballero Alto, 2023. Courtesy: the artist. Photo: Laila Kaletta
Dora García, The Bug (the future is behind us), 2024. Courtesy: the artist. Photo: Laila Kaletta
nvk, Start Screen Spiral, 2023. Courtesy: the artist. Photo: Laila Kaletta
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Zurich Art Weekend
7 – 9 Jun 2024