Amid the bare studs of a vacant FiDi highrise, a self-organized exhibition reanimates memories of New York’s abandonment and once-settled feuds over the myths of abstract art.
Premised on the closeness of their Île-de-France homes, a juxtaposition in Paris of Claude Monet and Joan Mitchell incidentally reveals the contrasts in their responses to landscape.
Spike respects its readers’ privacy. Our website neither sets cookies nor collects your personal data.