Eleonora Milani is an writer, editor and art historian, currently based between Milan and Rome.
Informed by recent findings on black holes’ photo properties, an exhibition including Lawrence Lek, Shuang Li, and Alfatih returns 2D image surfaces to the objecthood of expanded cinema.
In Rome, an encyclopedic show of anti-commodities, auto-documentations, and studies in emptiness typifies an Arte Povera prankster’s conviction that work is unfinishable.
