PABLO LARIOS is a writer, editor, and an International Editor at Artforum.
A Berlin Biennale more intent on crisis management than exhibition-making raises the question: Does the biennial format – and Berlin itself – still deliver?
In a city she once considered a refuge but that now censors genocide, six dialectical slideshows chronicle the recovery of the beautiful from the ugliness underneath.
Can paintings ever be made selflessly? In Berlin, a WAGE co-founder locates the turning of private artistry toward public good in a politics of legibility.
