PATRICK KURTH is a poet, a poetry publisher, and an editor at Spike. He lives in Berlin.
A dinner for Klára Hosnedlová’s CHANEL Commission at Hamburger Bahnhof served three courses, migration stories, and what one server called “a dystopia you can live in.”
An exhibition equal parts vegetable, mineral, and photograph wagers that ikebana is less an outgrowth of one’s hands than of imagination.
A puckish computer artist decodes salvaging the late painter’s last laptop and his long journey from hating its owner into awe.
The co-director of a Berlin festival for experimental music talks designing mass moments for art in the many possibilities of an audience’s trust.
Is Berlin’s art scene really getting out of a rut, or did we all just drink one spritz too many? Five exhibitions stood out in a (re)divided city.
The director of Fresh Kill reflects on fusing gender hacking, queer media activism, and a parable of environmental racism into a (newly restored) avant-anarcho eco-satire.
