Sebastjan Brank is a writer and cultural worker based in Berlin.
At once titillating and encyclopedic, an exhibition at the Kunstverein in Hamburg revisits the collapse of European socialism through the image economy of sex.
A sprawling group show in Berlin emits the feelings of awe, impotence, and conspiracy roused by the impossibility of understanding our digital present.
DJ Sprinkles’ first European retrospective homages her lifelong mission to withdraw, de-produce, and debunk “queer” redemption.
