SUSAN FINLAY is an artist and writer. Her most recent book is the anti-memoir The Lives of the Artists (2023). She lives in Berlin.
Taking its name from Françoise Sagan’s 1954 Riviera novel, an exhibition anchored by painter Friedrich Kunath’s studio bar is moody, languid, a bit of a hot mess – that is, incomparably summer.
On femininity and fame in Philippa Snow’s new essay collection, It’s Terrible the Things I Have to Do to Be Me.
Recent debut novels by Rachel Cattle, Sinéad Gleeson, and Hannah Regel deal with the realities of women making a living making work.
In Berlin, a documentary exhibition of the Viennese Actionist underscores the shock of her meta-media performances fifty years ago and their interim saturation of our visual language.
