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Samara Golden‘s phantasmagoric installations bring to mind the halls of mirrors in old amusement parks as well as the dark glamour of Hollywood. On the occasion of the Los Angeles–based artist‘s exhibition at MoMA PS1, Dorothée Dupuis explores the uncanny power of Golden‘s work and discovers a form of resistance in the emotions conjured up by the shimmering interiors of the American home.
![Installation view of "Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985" at Museo Jumex, 2018 Photo: Abigail Enzaldo and Emilio García](https://spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/_k6a8632a.jpg?itok=IZb2WVUB "Installation view of "Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985" at Museo Jumex, 2018 Photo: Abigail Enzaldo and Emilio García")
