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50 years after they broke onto the scene with their bold representations of female pleasure, two American feminist pioneers, Betty Tomkins and Marilyn Minter, are finally honored with their first French solo shows.
The neoliberal myth of total free-flow – of bodies, art, and capital – is dead, even as the press trip lives on. After a year spent tethered in place, Ingrid Luquet-Gad visits the 14th Baltic Triennial, searching for the balance between connectivity and context.
