Jaime Chu | Spike Art Magazine

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Ryuichi Sakamoto, Shiro Takatani,  LIFE-WELL,  2013, installation, fog, 5-channel audio, LED light, motorized mirror, camera. Original Development: Yamaguchi Center for Arts and Media.

View of Ryuichi Sakamoto, Shiro Takatani, LIFE-WELL, 2013, fog, 5-channel audio, LED light, motorised mirror, camera at M Woods (Original Development: Yamaguchi Center for Arts and Media).

Time of Death

A construction worker plunged to his death in early March while installing Ryuichi Sakamoto’s latest exhibition on the roof of the M Woods Museum in Beijing. Spike Contributing Editor Jaime Chu on the aftermath.

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TiffanySia, Salty Wet , 2019, magazine, 22 pages, 28 x 22 cm

TiffanySia, Salty Wet, 2019, magazine, 22 pages, 28 x 22 cm

FIELD NOTES

By Jaime Chu

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View of “M/Made in Shanghai”

View of “M/Made in Shanghai”

VIEW SHANGHAI

M/Made in Shanghai at the Power Station of Art

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The End is Night

By Jaime Chu

Postcard from Hong Kong

Jaime Chu

#62 Winter 2020

In the roundtable in this issue, artist John Hill notes that if 2010 seemed like a time of abundance, 2019 feels like a time of scarcity. The 10s was a decade in which the bottom fell out of politics, and the art system lost its credibility. The wealthy got wealthier and disproved trickle-down economics. Communicating did not just mean...

#62 Winter 2020

View Hong Kong

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View Hong Kong

"Café do Brasil" at Para Site by Jaime Chu