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In the last years, the art world fell in love with live and time-based practices. Since then, a lot has been said and written about performance and performativity, but too little time has been given to listen to those whose work has been stretching the tight disciplinary confinements that shape dance, performance and visual arts. That is what Filipa Ramos sought to do in asking the Swedish performance-related artist-dancer-choreographer-producer-writer Mårten Spångberg to give us his thoughts on four concepts: Space, Rhythm, Expectation and Embodiment. The result of this encounter can hardly be described, as ideas, concepts and words sprang out all over the place without restraint and with such overwhelming speed that capturing it in writing was a performative feat in itself.