A year-opening, weekend-long excursion to Spike’s hometown included tours of a dozen exhibitions and institutions, including Secession, with president Ramesch Daha; MAK – Museum of Applied Arts, with digital curator Marlies Wirth; FLUCC – Center for Arts & Communities, with curator Ursula Probst; Heinrich Dunst, “READ/RED” and Miao Ying, “Shadows stretch in spectral lines, in desolation’s embrace, time resigns” at Galerie nächst St. Stephan Rosemarie Schwarzwälder; “No Feeling Is Final. The Skopje Solidarity Collection,” curated by What, How & for Whom / WHW at Kunsthalle Wien; Rhea Dillon, “The Black Fold” at Kunstverein Kevin; Gelitin, “GELATIN 2023” and Flora Hauser, “OUSIA” at MEYER*KAINER, introduced by gallery director Julian Inic; “Vienna 1900: Birth of Modernism,” curated by Hans-Peter Wipplinger at Leopold Museum; and Kunsthistorisches Museum Wien.