In his essay, John Kelsey asks how recent practices evade the art world’s usual divisions of labour. Remoteness and enthusiasm: on the art scene of the Argentinian capital Buenos Aires. An email exchange between Darren Bader and Bruce Hainley about food in the arts and bad curators. Portraits of the artist duo De Gruyter & Thys, Martha Wilson, and Josephine Pryde. Hans-Ulrich Obrist’s Curator’s Key is Luigi Ontani’s “Villino RomAmor”. PURCHASE EPAPER →

<p data-mce-fragment="1">In his essay, John Kelsey asks how recent practices evade the art world’s usual divisions of labour. Remoteness and enthusiasm: on the art scene of the Argentinian capital Buenos Aires. An email exchange between Darren Bader and Bruce Hainley about food in the arts and bad curators. Portraits of the artist duo De Gruyter &amp; Thys, Martha Wilson, and Josephine Pryde. Hans-Ulrich Obrist’s Curator’s Key is Luigi Ontani’s “Villino RomAmor”.</p>
<p data-mce-fragment="1"><a href="https://shop.spikeartmagazine.com/product/spike-epaper-issue-28"><strong>PURCHASE EPAPER → </strong></a></p>
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ISSUE 28 (SUMMER 2011)