Jaime Chu is a critic from Hong Kong and a former contributing editor at Spike.
In another year eclipsed by right-wing politics and apathetic art, nine Spike trustees separate global culture’s wheat from its chaff.
Amid his exhibition at Empty Gallery, Hong Kong, the Japanese bricolage photographer presents art as helping us sit with the discomfort of the unknown.
Mounted in Hong Kong in contrapuntal pairs, an exhibition of photographs beside the artist’s mother’s works finesses the breakages of migration and the limits of familial understanding.
Jaime Chu, a critic living in Beijing and a contributing editor to Spike, examines citizenship, empire, and belonging through the lens of Jenna Bliss’s video art for the April edition of Spike x Liste...
On the occasion of Xper.Xr’s exhibition “Tailwhip” at Hong Kong’s Empty Gallery, Jaime Chu, phoning in on a video call, joined curator and researcher Michelle Wong on a walkthrough. The show, which co...
A construction worker plunged to his death in early March while installing Ryuichi Sakamoto’s latest exhibition on the roof of the M Woods Museum in Beijing.
A Comedy of Procedure
It sounds dramatic but the world is really divided into places where bad art can be funny and places where bad art is just bad.
