๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐
๐๐๐๐ ๐๐ ๐๐๐๐๐
๐๐๐๐ ๐ข๐ง ๐๐ก๐ข๐ง๐ ๐ฑ ๐๐ฉ๐ข๐ค๐ ๐๐ซ๐ญ ๐๐ฎ๐๐ซ๐ญ๐๐ซ๐ฅ๐ฒ
Performative installation
๐-๐๐ก๐ข๐ซ๐ญ ๐๐ก๐๐จ๐ซ๐ฒ: walking quotes
๐๐ซ๐๐ง๐๐ข๐ง๐ ๐ ๐ฅ๐๐ฌ๐ก: inked commodities
๐๐ง๐-๐๐ญ๐จ๐ฉ ๐๐ฎ๐ฅ๐ญ๐ข๐ฉ๐ฅ๐ ๐๐ก๐จ๐ฉ: the art of sale participation
๐๐๐ฐ๐๐๐ฐ ๐๐๐๐ ๐ข๐ง ๐๐ก๐ข๐ง๐ ๐๐๐ ๐๐ณ๐ข๐ง๐: after-pre-launch of the multiple volume
๐๐๐๐ ๐ข๐ง ๐๐ก๐ข๐ง๐ ๐๐ฉ๐ข๐ค๐๐! โ A site-specific inquiry into the theory and practice of art branding, branding of art, art of branding through the production and promotion of multiples. What does performing and installing art and branding theory produce? What does engaging with art and branding theory by wearing, reading or walking produce? How to perform installed multiples? How to install performed multiples? What does intervening into a product of art theory and branding practice produce? Whatโs the point of sale; art of participation, branding of experience? How to inscribe art branding into a way of being? How to embody the multiple? How to be the circulation? This and more โ always already more! โ at the after-pre-launch of the multiple volume, walking quotes and inked commodities as the art of sale participation.
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๐๐๐๐ ๐ข๐ง ๐๐ก๐ข๐ง๐ is both an art project and a brand that explores and implements newnew ways of producing and consuming, promoting and distributing art. It examines the position and potential of an art object or gesture in society, looking for convincing ways of artistic participation โ both within the art system, within society at large, and within the current economy.
Made in China breaks the artistic bonds, venturing into consumerism and profit-oriented society as a kind of poetic disruption and a moment of to-be-conformed-non-conformity within an apparent socio-economic consensus, hinting at a potential or possible other.
Made in China produces and promotes affordable artworks as series โ or multiples, retaining some features of the traditional multiple while taking on newnew forms and functions in an age of hyper-production and mass-consumption, art-inflation and hype-branding, transposing multiples into installations, performances, or interventions; within art spaces as well as in everyday situations.
http://madeinchina-project.org
https://www.facebook.com/Made-in-China-599026213480681/
https://spikeartmagazine.com/en#cool
