A Milan exhibition of storyboards, sketches, and other production notes opens not only the secrets of many iconic films, but the story of cinema itself.

US premieres from Luca Guadagnino, Sean Baker, David Cronenberg, and others set into motion the unreliability of images and the politics of place and placelessness.

A French auteur notorious for reenacting patriarchal sex fantasies flips the script post #MeToo by casting an older woman in the role of predator.

In a one-man battle with Reddit, the hype cycle, and AI deepfakes for control over his output, the rapper is pushing his artistic identity to the breaking point.

Set in the literal shadow of Auschwitz, Jonathan Glazer’s new film suggests how history’s greatest crime will be recalled when its last survivors and witnesses have all passed on.

Hidden within the meme-cyclone portmanteau and our gendered expectations is one fabulous film and another – spoiler – that totally bombs.

While his latest debut at Cannes, Asteroid City, unspools a predictable plot with a familiar cast, the film’s stylistic precision is a reminder not to take a one-of-kind auteur for granted.

The New Museum’s largest-ever retrospective of a living artist follows Mutu’s turn from the material resonance of found-object collages to the easy symbolism of bronze sculpture.

As digital infinity rubs up against hardware limitations on New Year’s Eve, one party-goer asks: Is hyperpop amnesiac nostalgia, or consolation for the exhaustion of novelty-seeking?

Some movies are only worth seeing in theaters if you don’t pay. And no more outdoor screenings; they’ll ruin your life. Here, seven more turn-of-season tips for the picture-perfect viewing experience.