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In the June edition of Spike x Liste Expedition Monthly Picks, the Berlin-based writer Olamiju Fajemisin pinches and zooms in on selected works by Srijon Chowdhury and discovers ambiguous feelings.
Thùy-Hân Nguyễn-Chí, This undreamt of sail is watered by the white wind of the abyss, 2022, video installation, mixed media. Installation view, “12th Berlin Biennale,” Hamburger Bahnhof, 2022, Berlin. Photo: Laura Fiorio
Precious Okoyomon, To See The Earth Before the End of the World, 2022, installation view, 59th International Art Exhibition – La Biennale di Venezia, 2022
The Ukrainian artist Nikita Kadan moved into a bunker at the war's beginning. There, he spoke to Hans Ulrich Obrist and Sebastian Clark about how the past remains in the subjunctive and why we need a new anti-fascism.
The glamor of the Cannes Film Festival feels impenetrable to most mortals. But what if it’s not? What if you just had to learn how to fake your way in? By Nolan Kelly
A new digital city designed by Zaha Hadid Architects promises to realize “the old dream of cyberspace” – but whose? What remains genuinely public sphere when the rhetoric of open access only serves gentrifying the metaverse?
Still from Wong Ping, Crumbling Earwax, 2022, 3-channel video installation, 13 min.Installation view at “Wong Ping: Ear Wax”, Times Art Center Berlin, 2022. Photo: Jens Ziehe, Berlin