Editions

GINA BEAVERS “IN-N-OUT BURGER”, 2020

Discourse
Moyra Davey, “Smoking 1”, 1987/2016, silver gelatin print, paper size: 28 x 35.5 cm All images: Courtesy Galerie Buchholz, Berlin/Cologne/New York

Moyra Davey, “Smoking 1”, 1987/2016, silver gelatin print, paper size: 28 x 35.5 cm
All images: Courtesy Galerie Buchholz, Berlin/Cologne/New York

FOR IMMEDIATE RELEASE: “FUTURE SYSTEMS”

KAITLIN PHILLIPS, in the first post for her new monthly column,“FOR IMMEDIATE RELEASE”, sees her life as a movie, a pretty boring one, with no outside.

Editions

RACHEL ROSE “UNTITLED”, 2020

Offline Article
#62
Rachel Rose, Autoscopic Egg , 2017. © Rachel Rose. Courtest of the artist, and Gavin Brown Enterprise's, New York/Rome. Photo: Lance Brewer

Rachel Rose, Autoscopic Egg, 2017; © Rachel Rose. Courtest of the artist, and Gavin Brown Enterprise’s, New York/Rome; Photo: Lance Brewer

View "Rachel Rose"

Bianca Heuser on Rachel Roses’s first solo exhibition in Germany, held at the Fridericianum in Kassel earlier this year.

Discourse
Johannes Vermeer, View of Delft , 1660-1661 Oil on Canvas. 96.5 cm × 115.7 cm

Johannes Vermeer, View of Delft, 1660-1661

Oil on Canvas. 96.5 cm × 115.7 cm

The Downward Spiral: Little Patch of Yellow Wall

DEAN KISSICK is in search of lost rays of the sun, in paintings. There is a certain kind of light, and it still seems to show on Proust, Vermeer, and kitties?

Offline Article
#61
Canova, Maddalena penitente , 1796 Marble and gold plated bronze, 95 x 70 x 77 cm © Musei di Strada Nuova, Genova – Palazoo Tursi

Canova, Maddalena penitente, 1796, Marble and gold plated bronze, 95 x 70 x 77 cm; © Musei di Strada Nuova, Genova

THE END IS NIGHT: ESCAPE GUILT

By Alison M. Gingeras and Jamieson Webster

People
#44

Q/A Rachel Rose

How painterly is your video work?

Discourse
Still from The Poseidon Adventure , 1972, 20th Century Fox, dir. Ronald Neame

Still from The Poseidon Adventure, 1972, 20th Century Fox, dir. Ronald Neame

Falling Out: Shipwrecked

Spike’s Senior Editor COLIN LANG’s weekly column “FALLING OUT”is hitting the rocks. Shipwrecks are on the dockett, and we don’t mean the Titanic film. 

Discourse
Anton Lehmden, Vogelflug , 2001, watercolor on paper, 30 × 42.6 cm

Anton Lehmden, Vogelflug, 2001, watercolor on paper, 30 × 42.6 cm

Falling Out: For the Birds

Spike’s Senior Editor COLIN LANG’s weekly column “FALLING OUT” is all about birds. Really. 

Discourse

Pandemic Content

Stay home, stay away, but stay online, for goodness sake. Digital communication has become more of a force than ever in the art world, without the usual galas, openings, and related events. JEPPE UGELVIG dishes the digital dirt. 

Discourse

Falling Out: My Own Private Alexandria

Spike’s Senior Editor COLIN LANG’s weekly column “FALLING OUT” takes a look back at a primal scene of his, which involved underground zine culture. Read to the end to find out about a new project at Spike and why you’re reading this to begin with. 

"Not even an early evening series on Austrian TV could have got away with that"

Exhibition Histories: "Please Love Austria!"