This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies.
It was quite a week and weekends in the German-speaking lands, where Munich’s Various Others, Zurich Art Weekend, and Berlin Gallery Weekend all managed to coincide and jointly usher in the start of the season.
In her new column, KAITLIN PHILLIPS recounts the drama of finally getting her own pad, and quickly finds out that she has no lights, or buzzer. How will people get in to her housewarming party? Read on to find out.
The production of the mushrooms we like to eat is just a small fraction of what the fungi that produce them do. Serpentine Galleries curator BEN VICKERS had the chance to pick the brain of MERLIN SHELDRAKE, who has just published a memoir on the massive underground network of the magic mushroom.
New York’s art world is filled with careerists, but it is also filled with those who consciously moved away from the art machine. E’wao Kagoshima, nearly eighty years old, falls into this latter category, a painter who brings his brush with him everywhere he goes, treating the city as his canvas and marketplace.
DEAN KISSICK’s latest column is an ode to the coming fall, where New York is struggles to bring normalcy back into play. But when was New York ever normal?
![Installation view "Josef Bauer. Demonstration" LENTOS Kunstmuseum Linz, 2020 Foto: maschekS.](https://spikeartmagazine.com/sites/default/files/styles/medium/public/users/shared/articles/images/_d753346.jpg?itok=05ms0HwB "Installation view "Josef Bauer. Demonstration" LENTOS Kunstmuseum Linz, 2020 Foto: maschekS.")
