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For the October edition of Spike x Liste Expedition Monthly Picks, Arnon Ben-Dror traces the de-solidification of contemporary sculpture in Hannah Sophie Dunkelberg’s works.
Machines make human faculties obsolete but we are still the ones performing manual labor in sweatshops, writes Ido Nahari. Can comedy help us make sense of technology’s calculated tragedies?
For his October column, Dean Kissick writes a roundup of New York’s fall exhibitions. They are many, so many, and pleasant, so pleasant, as palliatives for a doomed dying world.
Tom Burr, Atlas II, 2022 (detail). Plywood and aluminium panel, black and white photographs, safety orange fabric, plastic sleeves, steel push pins, tacks. Installation view, Galerie Neu, 2022, Berlin. Courtesy: Tom Burr; Galerie Neu, Berlin. Photo: Stefan Korte
Some movies are only worth seeing in theaters if you don’t have to pay for a ticket. Others merit repeated viewings. Here are Nolan Kelly’s tips on what to watch and how to watch it.
Dry, quantifiable data can evince emotions. And artist Vijay Masharani’s technical images are full of paranoia. Spike x Liste Expedition Monthly Picks, by Coco Klockner.
