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DEAN KISSICK is in search of lost rays of the sun, in paintings. There is a certain kind of light, and it still seems to show on Proust, Vermeer, and kitties?
Stay home, stay away, but stay online, for goodness sake. Digital communication has become more of a force than ever in the art world, without the usual galas, openings, and related events. JEPPE UGELVIG dishes the digital dirt.
Spike’s Senior Editor COLIN LANG’s weekly column “FALLING OUT” takes a look back at a primal scene of his, which involved underground zine culture. Read to the end to find out about a new project at Spike and why you’re reading this to begin with.
Spike’s Senior Editor COLIN LANG's weekly column "FALLING OUT" is falling in, on itself, like a collapsed library. From new bathroom rituals to keeping distance, it's a burning mess!
The New York-based painter culls Instagram and the internet for her images, with a particular fondness for nail art and food porn. The artist anticipates that her works will be reabsorbed by the social media platforms from which they were taken. Tenzing Barshee and Camila McHugh spoke to Gina Beavers about trying too hard, making your own memes, and the realness of the world.
There’s so much mystery surrounding Austrian collective Gelatin’s The B-Thing that some believe it never really took place. This barely plausible architectural intervention on the ninety-first floor of the World Trade Center in 2000 was shown – once and once only – to a lucky handful of invited guests. Among them was artist Maria Hassabi, who witnessed the events on a Sunday morning in Lower Manhattan. By Maria Hassabi
